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Commentary: A mask in the O.C. has become as heated as the veil in Iran, June 18, 2020 [info] |
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Article in Writing Anthropology, Essays on Craft and Commitment Duke University Press May 2020 [info] |
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Article in My Shadow Is My Skin:Voices from the Iranian DiasporaUniversity of Austin Press, March 2020 [info] |
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Act One to The End: Ask the Ayatollah, a One-Act Play with Henry Corbin in Soundproof RoomJournal
of Comparative and Continental Philosophy, July 24, 2019 [info] |
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Finding
Home, Special Edition on Moon landing Anniversary, Journal of Humanistic
Anthropology, July 11, 2019 [info] |
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"Hijacking
the Elevator", Cultural Anthropology |
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Nicht hier und nicht dort, Le Monde diplomatiqueJuly 7, 2018 [info] |
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"The
Knot in the Wood: The Call to Multimodal Anthropology", American
Anthropologist |
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"Bin ich eine Immigrantin?" GERMAN EDITION OF Le Monde diplomatique [info] |
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"Am I an Immigrant?", LRB Blog, February 21, 2017 [info] |
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FUZUL, Audio story in Zoya Sardashti’s curated The Future of Iranian Theatre, Curative Archive 2016 [info] | ||
Last Scene Underground: An Ethnographic Novel of Iran, Stanford University Press, Palo Alto, CA 2016 [info] |
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“Fictive Truths” Aeon Magazine of Ideas and Culture, June 2015 [info] |
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“Keeping
it Reel: ‘Reality’s’ Role in the Production and Reception
of |
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“Ethnographic Fiction: The Space Between” Savage Minds, Anthropology blog [info] |
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“Pictura
Poesis: The interplay of Poetry, Image and Ethnography in |
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"Facing the Future: The Artistic and Diasporic Afterlife of the Iran-Iraq War", Anthropology of the Middle East, Spring 2013, Volume 8, Number 1, pp. 40-62(23) |
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"Whole World Blind", online sound installation and accompanying essay, Public Books, April 2013 |
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The ANNALS of the American Academy of Political and Social Science, September Vol. 637 No. 1 pp53-63; Iran’s French Revolution: Religion, Philosophy, and Crowds | ||
Review of "Soft Weapons: Autobiography in Transit" by Gillian Whitlock, LONDON REVIEW OF BOOKS, Vol. 30, No. 15, July 31, 2008 | ||
"Iran’s Pieta: Motherhood, Sacrifice and Film in the aftermath of the Iran-Iraq War" Feminist Review, 88:1-13, 2008 | ||
“Mashti,”
Anthropology and Humanism Quarterly, Vol. 32, No. 2, p 202-209, Winner Short Story Award for Fiction by the SOCIETY FOR HUMANISTIC ANTHROPOLOGY, 2007. |
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DIARY:AT THE MARTYR'S MUSEUM, LONDON REVIEW OF BOOKS, Vol. 29, No. 5, MARCH 8, 2007 | ||
Warring Souls: Youth, Media, and Martyrdom in Post-Revolution Iran, Duke University Press, May 2006 Read Peter Chelkowski's Review HERE |
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“The Witness”, Let Me Tell You Where I’ve Been: New Writing by Women of the Iranian Diaspora, Edited by Persis Karim, University of Arkansas Press, May 2006 | ||
"Pulling Focus on Kiarostami’s Iran", Eastern Art Report, London, Fall 2005 |
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Entries, Encyclopedia of the Modern Middle East and North Africa, Second Edition, MacMillan Reference, 2003 | ||
“Picturing Change: Mohsen Makmalbaf’s Kandahar” American Anthropologist, Vol. 104, No. 3: 931-934, September 2002 | ||
“A Ghost in the Machine: The Cinema of the Iranian Sacred Defense”, The New Iranian Cinema: Politics, Representation and Identity, edited by Richard Tapper, London: IB Tauris 2002 | ||
“Iran Gardi”, Public Culture; vol. 11, No. 3 (Society for Transnational Culture Studies, University of Chicago), Duke University Press, 1999 | ||
“Mercury Rising: Tajik Refugees in Kyrgystan” Silk Road: Journal of Central Asian Studies, Spring 1998. |
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“The Caravan”, New York Press, Vol. 13, No. 1, January 2000 | ||
“The Pelican”, A World Between: Fiction, Poetry and Essays by Iranian-Americans, Edited by Persis Karim and Mohammad Mehdi Khorrami, George Braziller, April 1999 | ||
“Refugee” American Magazine, 50:3 Fall 1999 | ||
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